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These Minimal Shoes Are Made From Plastic Bottles

These Minimal Shoes Are Made From Plastic Bottles

Photos by Ariel Zambelich/Wired

As more athletes embrace the ethos of good-form running, the trend of barefoot-inspired footwear is spilling over into new areas. The craze that started on the beach soon moved to the streets and sidewalks, then the trails and mountains. Now, it’s landed on the sofa.

The NewSky is an everyday, around-the-house barefoot shoe from New Balance — a company that already makes a raft of barefoot shoes for running on the pavement and in the hills. The NewSky is designed to be worn as a minimalist recovery shoe, not a running shoe. You change into them when you get home from your run — presumably one you just completed while wearing some other minimalist model.

The shoe’s upper is fabricated using 95 percent post-consumer recycled PET bottles.

It’s minimalist in another sense, too, since it makes extensive use of post-consumer recycled materials. The shoe’s upper is fabricated using 95 percent post-consumer recycled PET (Polyethylene terephthalate) bottles, and the outsole is held in place with a layer of water-based glue. On average, each pair of NewSkys uses the equivalent of eight 20-ounce PET bottles.

The NewSky also uses the absolute minimum amount of material necessary to craft a piece of footwear, and ends up using 73 percent less material than the average New Balance running shoe. You can see this in how slender the NewSky is, and you can feel it when you pick it up. It’s extremely lightweight — the women’s size 7 weighs in at 4.1 ounces.

The design is stylish almost to the point of being elegant, at least for a sneaker. The PET fabric resembles dark grey felt. Unlike felt, it has a stiffness that wears well and shows great stain resistance. My tester shoes have remained new-looking for the past month, and I’ve worn them more frequently than any other shoe in my closet. The fabric seems to fold or crease rather than wrinkle. Laces are either black, or a contrasting color that provides a visual pop when matched with the color of the outsole and sole. While wearing these around, I’ve received compliments from people as varied as twenty-something hipsters to my 90-year-old grandfather.

The shoe earns as many points for comfort as it does for style. The foam sole has a 4mm drop from heel to toe, similar to the New Balance Minimus and many other barefoot-style running shoes. Prior to receiving this pair of NewSkys, not having seen the design in person but knowing it’s meant to be worn as a recovery shoe, I was expecting the sole to resemble the Nike Free. The sole is actually much different in that it is very minimal and just padded enough for wearing as an everyday shoe. The parts of the shoe that contact the ground are made of EVA nubs.

The end result is something that just feels really good. And not only are they supremely comfy to wear, they’re smart-looking and sustainable. An all-around winner.

WIRED Eco-minded construction uses recycled materials. 4mm drop makes them a perfect after-run shoe for barefoot enthusiasts. Extremely comfortable. Subtle, minimal styling. So much the bomb, I wrapped a pair up and gave them to my Pop as a gift. ‘Nuff said.

TIRED It’s hard to rag on these shoes, but the color selection could be better — the post-consumer PET construction limits choices to a few subdued grays.

Photo by Ariel Zambelich/Wired

Product Reviews
Sara Peschel

Adobe Photoshop CS5 Extended – Upsell from PS CS5

Adobe Photoshop CS5 Extended – Upsell from PS CS5 Best Prices
65049075 Adobe Photoshop CS5 Extended for Windows Operating Systems. This is an upsell – you must previously own Photoshop CS5 to be eligilbe for this pricing (see Upgrade Requirements under Product Specifications)Adobe Photoshop CS5 Extended software…

Royal Discount
$ 377.06
+ $ 0.00 shipping
Vio Software
$ 381.02
+ $ 0.00 shipping

Mastering Photoshop Elements Made Easy Training Tutorial v. 6, 5 & 4 – How to use Elements Video e Book Manual Guide. Even dummies can learn from this total CD for everyone, featuring Introductory through Advanced material from Professor Joe

Mastering Photoshop Elements Made Easy Training Tutorial v. 6, 5 & 4 - How to use Elements Video e Book Manual Guide. Even dummies can learn from this total CD for everyone, featuring Introductory through Advanced material from Professor Joe

  • Over 6 hours of video lessons (137 individual lessons)
  • PDF instruction manuals
  • Hands-on practice exercises
  • Introductory through advanced material
  • PC or MAC
Over 6 hours of full-motion, animated instruction with crystal-clear audio in Photoshop Elements. 137 individual lessons. The best Photoshop Elements tutorial available. Designed by software training professionals who teach in our classrooms all year long. Learn at your office or home - at your own pace. Includes all of the topics covered in our two-day classroom training. Deluxe Training includes the same two classroom manuals our students receive (in PDF), along with practice exercises & keybo

Price: $ 17.97

Learn From the Best at a Visual-Storytelling Workshop

Learn From the Best at a Visual-Storytelling Workshop

http://www.wired.com/images_blogs/rawfile/2012/03/kalish-editing-w.jpg

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Kalish


The Kalish workshop works with stills, audio and video to create visual narratives.

Photo: Kevin Martin


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Many of us photojournalists are now being mandated by editors to produce “multimedia” pieces, which include video, stills and a fair amount of audio editing. Our cameras now have HD video built in, so we must have built-in video skills too, right? But let’s be honest, we often have no idea what we’re doing. How does one wade through a hard drive full of video clips, a gigantic edit of photos and hours of audio and turn it all into something resembling a story? Luckily, there is a place that can make the badness go away.

The Kalish is a world-class, week-long (June 11-15) visual-editing workshop housed at Ball State University in Muncie, Indiana. It’s intended for anybody working in new media who wants to find the best way to sort through the junk and get back to storytelling.

“I don’t think enough people are really talking about [visual] editing these days,” says long-time photo editor and Kalish director Sue Morrow. “Instead people are just talking about shoving content out the door and getting it online.”

For over two decades, The Kalish has been one of the country’s premier venues for learning about and discussing the power of visual presentation. Named after Stan Kalish, an editor at the Milwaukee Journal from 1937 to 1950 who co-wrote a well-known book on picture editing, the workshop has always been about photography, but has expanded to multimedia and now features instructors that come from the frontlines of the online world.

In addition to Morrow, who edited the 2007 Pulitzer Prize winning story, “A Mother’s Journey” for The Sacramento Bee, the 2012 faculty includes people such as Richard Koci Hernandez, an Assistant Professor of New Media at the UC Berkeley Graduate School of Journalism, Danny Gawlowski the photo/video editor at The Seattle Times, and Geri Migielicz, the co-founder and executive editor of Story4, all of whom have a wall full of awards and are well-known for their innovative work that is taking multimedia to the next level in education, newspapers and non-profits. Legends of the old-school photo world such us John Rumbach are also still involved to bring established storytelling wisdom to new formats.

“Our values are still rooted in a tradition of picture editing, but we are digital first and print second,” Morrow says. “Which follows where newsrooms and other publications are going.”

The Kalish is no stroll in the park. To mimic the way things work in today’s newsrooms and offices, participants are put into teams and handed a hard drive full of raw visual and audio content. By the end of the week they’re expected to have a multimedia story ready for presentation. Along the way they benefit from the guidance and feedback from some of the best in the business.

Students will also dive into the ethics of multimedia. One of the workshop’s most popular presentations is by Kenny Irby, senior faculty of Visual Journalism/Diversity at the Poynter Institute. He leads a discussion that includes handling citizen journalism contributions and how to stay away from technological tricks that might manipulate and or mislead the audience.

“The discussion usually goes on for four hours,” Morrow says.

What has always made The Kalish special, and what continues to keep them at the forefront of visual media is the guiding principal that content will always be king, or as they say, queen. Even though faculty at The Kalish have all embraced new technology, they’ve also been careful to not get lost in the hype.

“I think some people can get so entrenched in technology that they can’t see the forest for the trees sometimes,” Morrow says. “At The Kalish we don’t run away from technology, but we’re going to help you get rid of all the noise and get back to focusing on what’s important.”

The Kalish registration fee is $ 695 and the application deadline is April 1.

Scholarship and stipend selections will be made in early April. General acceptance to workshop will be also be made at that time. Application information can be found here.

Check the web site for a possible extension for general applications to May 1.

The workshop grants ten $ 150 stipends off of registration to applicants who don’t receive scholarships. Simply state the need for financial assistance on the online application form. And don’t forget to tell the workshop why you want to attend.

Raw File
Jakob Schiller

Comprehensive Building Websites with WordPress Tutorial – From InfiniteSkills


(PRWEB) February 04, 2012

Software training developer InfiniteSkills has announced the availability of its Building Websites with WordPress Tutorial Video course. Featuring 114 individual lessons, the training series moves through planning, wireframing in Illustrator, slicing page elements in Photoshop and full installation and configuration of WordPress 3.3 on a server. The tutorial has been developed as a comprehensive combination of graphic design and web development training that viewers can implement in WordPress websites for themselves and professional clients.

“This is definitely our most unique training course to date,” said Colin Boyd, sales director at InfiniteSkills. “It covers all aspects of design and development, using multiple programs and technologies to demonstrate a real professional workflow.”

Building Websites with WordPress Tutorial Videos – DVD Training

The WordPress development tutorial is broken down into separate chapters based on each major stage of design and development. WordPress course instructor Geoff Blake begins with a guide to site planning and wireframing techniques, covering key design principles and showing how to work with Adobe Illustrator as a web layout tool. After putting a basic mockup in place, the tutorials show how to move into a site’s fonts, colors, logo and principle design elements. Within Adobe Photoshop, these components are finished and then sliced as needed for proper placement on the page.

Next the course moves into the installation and configuration of WordPress on a local machine for development and testing. The WordPress training shows how to install and configure MySQL, XAMPP and MAMP for a functional installation that lets the user create and test builds before going live. Instructor Blake goes through the WP front-end and back-end and shows how to create a completely custom WordPress theme based on the previous wireframes. He then goes through individual blog and newsfeed design, page design and the creation of a functional frontpage slideshow, sidebar and footer.

Finally, the WordPress tutorials conclude with a detailed chapter on uploading the fully themed WordPress site to a live web server for launch. The resulting project website at the heart of the training is then fully accessible to visitors, and ready for regular updates and posts from even non-technical users.

“Geoff has a unique talent for taking the entire process and putting it into steps that any user can understand,” said Chris Johns, content specialist for InfiniteSkills. “He’s even able to go into more technical aspects of PHP and CSS that will help WordPress builders really get the most from their sites.”

In addition to the Building Websites with WordPress Tutorial Video for InfiniteSkills, Geoff Blake has authored over 30 other video training courses on development and design topics. He has worked professionally as a designer in print and web-based industries.

The complete Building Websites with WordPress Tutorial Video Course retails for USD $ 99.95, and it can be ordered on DVD-ROM or as a direct download from the InfiniteSKills website. Both versions are Windows and Mac compatible and include working files that match the project examples in the course. Further information and free WordPress tutorial demos can be found on the training page.

http://www.infiniteskills.com/training/building-websites-with-wordpress.html

About InfiniteSkills Inc

InfiniteSkills is a leading provider of video training on popular software, programming languages and technical skills featuring the best teachers and tutors in the world. In addition to training on DVD-ROM, the company has actively pushed to publish its tutorials to eLearning and mobile app formats.

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The Inside Story of The OMGPOP-Zynga Deal From The CEO, Investors & More!

The Inside Story of The OMGPOP-Zynga Deal From The CEO, Investors & More!

zynga-omgpop-porter-ko

We caught up with OMGPOP chief executive Dan Porter, Zynga’s chief mobile officer David Ko and board member and Spark Capital partner Bijan Sabet to get the inside story of how OMGPOP’s sale went down. It’s been a whirlwind six weeks for OMGPOP, which transformed from an also-ran social gaming company into the maker of the most successful casual mobile game in the market right now. The company was picked up by Zynga today for what we heard was $ 210 million.

TechCrunch: So how did you choose Zynga over other companies that were talking to you?

Dan Porter: It was a bromance. Well, irrespective of this deal — and this isn’t the first time I’ve gone through this process — I met David Ko and Mark Pincus. Then I met a bunch of people on the mobile side. In my mind, there was this idea of Zynga. But here were all the real people and they really wanted to build fun games.

TechCrunch: Your company culture seems really different from Zynga. They’re known for being very analytical and data-driven and OMGPOP’s culture sounds looser than that. Is that going to work out?

Porter: Dave had this vision of having an environment that would actually let people be creative. We talked about how the Words With Friends group [who came from the Newtoy acquisition] could keep their culture. It was really, really sincere and I wouldn’t have done the deal otherwise.

I’ve said this before but we’ve only had one mission at the company. I really, really wanted to make a game where you sit on the bus and see everyone playing our games. This is the first time this has really happened. It is a really amazing feeling. And now we have the resources and support. At the end of the day, you’re making creative content and you’re putting your heart and soul into it. It’s so personal.

TechCrunch: How many press hits did Dan have to do before Zynga really picked up on this game?

Ko: This game was obviously rising on the charts very quickly. I’ve got a lot of apps and there was this moment where we realized how powerful Draw Something was. I said on the press call earlier that I was using Draw Something on my way from the San Francisco airport and Mark was playing it against his family and friends.

We’ve had tremendous respect for this team. They’ve been around for a couple years and we both want to differentiate ourselves by creating high-quality social experiences. These guys are literally focused on the same values. It was a meeting of the minds.

TechCrunch: Are all of OMGPOP’s employees going over?

Porter: Yes, they’re all fired up. They’re already changing their LinkedIn profiles.

TechCrunch: So what changes with the game now?

Porter: Starting tomorrow, we’re going to be adding cows. No really. So, Words With Friends has a chat feature and we’d like to focus on that.

We’d like to give people a better opportunity to capture their drawings. There should be a save feature for saving your pictures. I didn’t really get this idea until I was playing with one of my kids. You know how you like to save your kids’ pictures and put them on the refrigerator and they draw these crushingly heart-breaking stick figures. We’ve got to make this feature fast.

TechCrunch: How is the monetization of the game changing? It’s very front-loaded right now with paid app downloads and in-app purchases of color packs. But eventually, it may end up being far more advertising-dependent like Words With Friends.

Zynga: We’re not talking about changes in monetization.

TechCrunch: How many extra unique users is this adding?

Zynga: We can’t talk about that.

In a separate call, we caught up with OMGPOP board member Bijan Sabet of Spark Capital. Sabet has also led the firm’s investments in Twitter, Tumblr and Foursquare.

TechCrunch: How much of a conversation was there at the board level about whether to go down the acquisition route versus stay independent?

Sabet: We had a lot of conversations. There were lots of companies that were interested in OMGPOP. But we saw that Zynga’s price was good for all shareholders and employees so the board was unanimous. Zynga kept all the employees, who are coming along and staying in New York City. Dan got along with Mark Pincus and David Ko. It just felt really right.

TechCrunch: Why Zynga over the other suitors?

Sabet: We all came to the same conclusion that it was a good offer and that we should take it seriously. It felt like everyone thought it was the right thing to do. Everyone also felt like Zynga was the most entrepreneurial partner of all the buyers. Dan Porter and Mark Pincus spent a lot of time together to make sure there was a cultural fit.

TechCrunch: What was it like to see this company through the years and then through this hit?

Sabet: This was a quite a journey. We were the first VCs in this company and I was the first outside director. We made our investment back in 2008 and we invested in every single round.

So I have all of this history. OMGPOP had some really cool games, but they never kind of broke out. They never got massive. So when Dan showed us this game, Draw Something, we all thought it was really cool. But we had no idea whether users would like it.

Then it became absolutely amazing. Every day, Dan would send out the stats from the day before, like what happened in terms of downloads or what celebrity had tweeted about it. Each day was more amazing than the previous one.

TechCrunch: Dan wasn’t the original founder though. It was a Y Combinator company originally called Iminlikewithyou, right?

Sabet: Yeah, we had invested $ 1 million when Charles Forman was still running the company. He was the chief executive and founder. It was a dating site that then pivoted into gaming. Shortly thereafter, Dan came into the company and then he became chief executive. A year ago, Charles left day-to-day operations but stayed on the board.

TechCrunch: What does this teach you as a venture investor about the gaming industry?

Sabet: The interesting lesson is that these things take time. These companies sound like overnight successes but they take awhile. We were the first investor in Tumblr, but it was not an overnight sensation. We were early investors in Twitter, but after one year, it had just 500,000 users. People can get seduced with the idea that these companies get their breaks quickly. This is a good reminder that if it doesn’t happen the first year, it can work out. It just takes time.

This team worked really, really hard and they built the most popular social game on the planet right now. Dan’s an unbelievably talented guy. Even after all of these years, they stayed on and worked really hard every single day. It’s not easy to do.

I hope they get the recognition. I know they’re all happy. It’s pretty cool. It’s Drawsome.


TechCrunch
Kim-Mai Cutler

http://tctechcrunch2011.files.wordpress.com/2012/03/zynga-omgpop-porter-ko.jpg?w=150

Windows 8 Is Retina-Ready

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All the talk these days is of the new iPad and its magical screen. Apple isn’t the only one who can do that, you know. In fact, most display makers are looking forward to post-HD resolutions as one of the big selling points of the next generation of displays. Other tablets are already approaching iPad levels of pixel density and it would be foolish of the likes of Google and Microsoft not to be planning for it.

Fortunately, Microsoft is well aware of the trend and has plans in place for dealing with displays with pixel-dense displays (or “Retina” to the vulgar).

The specifics are laid out with no quarter given to laymen in this post at Building Windows 8. The gist is that they have analyzed the expected range of display sizes and resolutions, and have identified a sort of “Goldilocks Zone” for the three general classes of resolutions: standard, HD, and quad-XGA (2560×1440). Inside this zone, text and UI elements aren’t blown up too cartoonish proportions or shrunk down to a size that’s frustrating to touch.

In the first case, buttons and text will be shown with no scaling. In the second case, they’ll be 140% normal size (i.e. elements 100 pixels wide will become 140), and in the third, 180%. 50 and 100 percent increases apparently were not convenient to the Windows 8 team, though whether they decided on these numbers because of, say, certain sub-pixel scaling methods, or because 50 and 100 were too big, it is not known.

The alternative is a resolution-independent continual resize that would render every button and character the same size regardless of the size or resolution of the display. Unfortunately, the infrastructure is simply not in place for that: the way text is stored and rendered, the size and restrictions of web content, and much more prevent this more advanced solution. It’s on the way, but for now these scaling milestones will have to do.

The author of the post, Microsoft UX team member David Washington, admits that high-density screens make many familiar UI elements, such as pulldown menus and small close boxes, “increasingly burdensome.” A new ecosystem of gestures and visual elements will succeed them, presumably — Metro, for instance.

Lastly, Windows 8 thoughtfully includes native support for the SVG filetype as a development asset, so you can build good-looking scaling into your app more easily than with multiple or high-resolution bitmap images. How easy it will actually be to build for what is certain to be an incredibly diverse hardware ecosystem, we’ll soon find out.

The iPad (which gets a mention in the post as well) currently has the best screen on the market, but that’s an advantage that likely won’t last out the year. Whether Windows 8 and its apps will utilize equally well the promise of high pixel-density screens is yet to be determined, but it’s good to see the future of personal displays and devices being planned for and executed on by the majors.


TechCrunch
Devin Coldewey

http://tctechcrunch2011.files.wordpress.com/2012/03/header.png?w=150

UpTo: An iPhone App That Unlocks Your Calendar’s Social Potential (In The Right Way)

UpTo_screen2

Back in December, Robin wrote about a Detroit app development startup called Rock City Apps, which had just raised a seed round of funding for its stealth iPhone app, UpTo. At the time, Rock City Co-founder and CEO Greg Schwartz (also the former CEO/co-founder of Mobatech and a director of business development at Warner Music) said that the “platform focused on the future tense that makes sharing calendar events simple and social,” but wasn’t able to say more.

We’ve since caught up with Schwartz to learn more about UpTo, which recently went live on the App Store, and it turns out there weren’t any smoke and mirrors in that description.

So what’s all this about future tense? Well, Schwartz explains that, while many of us love to share on Foursquare, Facebook, Twitter, Instagram, and beyond, most of the content being shared is either in near-realtime or has already happened. If you’re checking your Foursquare feed when I check in at a restaurant, or your Twitter feed when a friend posts a great article, you’ll see that in realtime. But there’s some serendipity involved, as the majority of people don’t religiously refreshing their Twitter or Facebook feeds, they check in periodically. In most cases, the photos, links, and other content you discover is old news.

So, UpTo wants to focus on building a social network around your calendar so that you can easily track (and act on) the events coming up in the lives of the people you care about. There are a lot of teams out there hacking away on event-sharing apps (Facebook, for one, recently launched “Suggested Events” to help you discover new events), but when we asked Plancast founder Mark Hendrickson what his impressions were, he said that, comparatively, he thinks UpTo has some serious potential.

That’s because UpTo is using the iPhone calendar API to collect your personal calendars — the ones that you use the most, whether that be Google Calendars, Outlook, Yahoo — UpTo is agnostic and accepts them all. As you may know, Google Calendars is already social, but really only with other GCal users. The app’s agnostic integration is thus intended to significantly lower the amount of friction that stands in the way of sharing by taking the calendar you might already have synced with your iPhone, tearing down those calendar walls, making it social so that users can quickly share or add events while they’re on the go.

Most eCalendars make it easy to share with small groups, like colleagues or family, but there’s really no way to share specific information with different subsets of people in your life. Thus, UpTo wants to add that group sharing functionality, a la the Circles of Google+, to your calendars, allowing you to add friends from Facebook, existing contacts, etc., and parse them into groups that you can share with, adding, removing or editing those as you go.

UpTo offers a “quick share” button that allows users to share events from their calendar with a couple of clicks, choosing which groups to share with in doing so, or blast events from the calendar out to Facebook or Twitter. Users can also tag and share to UpTo, Facebook or Twitter directly from their calendar, again choosing the particular groups they want to share with using hashtags, like “#family,” or “#fb” and “#t” for Facebook and Twitter.

This also works both ways, which is smart, since you can add events to GCal, for example, from within UpTo. The apps also lets you get a sense of the activity level of your calendar by providing a heatmap view so that you can which days or busiest for any particular group. Also a good quick way to measure virality of particular events. (See image below.)

The other important element of UpTo is its chat functionality, which allows users to have conversations in realtime around individual events, so that if you have a “meeting with investors” event scheduled for Friday, friends or other members of your team could chime in and say “don’t forget to mention that we’re oversubscribed,” add suggestions, etc. The chat feature, in a sense, aims to make UpTo feel like GroupMe for your calendar.

In general, people are 90 percent more likely to attend an event if it’s in their calendar, Schwartz tell us. And with one-click event adding, UpTo is making it a lot easier to get events on your calendars, and share those with the people you care about. In terms of monetization, you might be able to see where UpTo plans to go. Schwartz says that they want to tap into the “intent graph,” to facilitate better, or at least more targeted, marketing.

Most social networks are looking at your past data to guesstimate what you intend to do in the future, serving banner ads or deals accordingly. Eventually, UpTo wants to build an aggregated event feed, sharing events based on categories based on popularity or subgroups like “tech.” If they were to throw in a popular restaurant’s sponsored happy hour event, it’s already easy to add that to your calendar, and brands/merchants know you’re a lot more likely to go if you have it in your calendar, especially if it’s cross-platform.

Again, for UpTo to take off, it’s all about how appealing it can make the experience of browsing and sharing the events it pulls in from calendars. So far, the UI looks great, and it’s easy to use. Schwartz said that in developing UpTo, they wanted to create an experience that doesn’t require people to change their existing behavior in relation to the way they interact with their calendars. In that way, they’re not trying to change the eCal, just make it more powerful, and more social.

They haven’t yet launched a web platform, but it’s on the way in the next few months, as is an Android app.

For more, check out UpTo at home here.


TechCrunch
Rip Empson

http://tctechcrunch2011.files.wordpress.com/2012/03/upto_screen2.jpg?w=100


Real World Editing: From Avid to FCP and Back Again

Real World Editing: From Avid to FCP and Back Again

The inside story of reality TV giants Bunim/Murray Productions, and their trip from Avid Media Composer to Apple Final Cut Pro…and back again.

Creative COW Final Cut Pro Tutorials

Advanced Tips for FCP X: Custom Resolution Timelines

FCP X can’t create a custom resolution timeline… or can it? I’ll show you how to create custom resolution timelines quickly in Final Cut Pro X.

Creative COW Final Cut Pro Tutorials

FilmLight Baselight for FCP. It’s a serious color tool.

Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Walter Biscardi at NAB 2011, had the opportunity for a 1 on 1 demo of the full Baselight color correction system and it’s "little cousin", the plug-in that

Creative COW Final Cut Pro Tutorials


NEWS FROM THE FUTURE – United States Postal Service Scares You

NEWS FROM THE FUTURE – United States Postal Service Scares You

News From The Future-4

Nate’s Tumble Log • United States Postal Service tries to compete with Google using fear:

What you need to do is embrace the future. Embrace what’s working. Figure out what the “box” is that you and electronic delivery are competing in, and create a few attributes that you bring to the market that aren’t in that box. And spend all your time, money, and energy outplaying everyone at those attributes.

Pt 597

I wrote a big ole’ article about how the post office could embrace new technologies and get back in the game, unfortunately this video/ad was the most sent in link :(


MAKE
Phillip Torrone

http://makezineblog.files.wordpress.com/2012/02/pt_597.jpg?w=150

Bootstrap 2.0, From Twitter

Bootstrap 2.0, From Twitter

Simple and flexible HTML, CSS, and Javascript for popular user interface components and interactions.

View project on GitHub Download Bootstrap



Back to top

Designed and built with all the love in the world @twitter by @mdo and @fat.

Code licensed under the Apache License v2.0. Documentation licensed under CC BY 3.0.

Icons from Glyphicons Free, licensed under CC BY 3.0.


Hacker News

Using UNetbootin to create a Linux USB from Linux

Using UNetbootin to create a Linux USB from Linux



How to Install and Use UNetbootin from Linux: UNetbootin is a Live USB creation tool that can be used to [...]


Pen Drive Linux
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