Tag Archives: Photography

Enhancing Digital Photography with Adobe Photoshop CS2

Enhancing Digital Photography with Adobe Photoshop CS2


Enhancing Digital Photography with Photoshop CS2 is a video based tutorial designed for professional photographers and enthusiasts who want to get professional results. Chris Orwig, a professional photographer and instructor at the world renowned Brooks Institute of Photography, shares the secrets and techniques that he uses to enhance his own photography in Photoshop. The training follows a photographer’s digital workflow, starting with essential color management decisions and organizing images with Adobe Bridge. Chris moves on to cover processing Camera Raw files, enhancing tone and color, and correcting imperfections. He then demonstrates how to prepare the images for output and client reviews. Chris shares examples of his work as exercise files that accompany the training videos, allowing you to follow along and learn at your own pace. Approximate Running Time: 14.5 Hours Topics Covered include: An In Depth Look at Digital Images Foundations of Color Management An In Depth Look at Digital Images Using Adobe Bridge Camera RAW Layers Masking Selections Levels Curves Blending Modes Color Correction Modifying Color and Tone Black and White Conversion Retouching Expanding Exposure Perspective Removing Dust and Scratches Removing Noise Creative Effects Sharpening Panoramas with Photomerge
List Price: 74.95
Price: 74.95

Adobe Photoshop Elements 8 – Windows. Training Video – Tutorial DVD
Description
Number of Videos: 122
Duration: 7 Hours
Ships on: CD-ROM
User Level: Beginner

Adobe Certified Trainer and Photoshop e…

Photoshop Elements 9 Training Video – Tutorial DVD (PC and Mac)
Number of Videos: 114 Lessons – 9 Hours Duration
Ships on: DVD-ROM
User Level: Beginners
Works On: Windows 7,Vista,XP- Mac OS X


Top Fifteen Photography Portfolio Sites

Top Fifteen Photography Portfolio Sites


  

What sets great images apart? What do the most successful photographers do to make their work stand out? Often the difference between a great photo and a great photo that captivates and prompts exploration is a good showcase.

The goal of a photography portfolio site is to make photos shine, but the best sites do this while subtly expressing a style. A good portfolio design supports the images without overpowering or trying to outshine them. It can be simple and clean, or styled and characterized, but the important thing is that the personality of the photographer and the photos shine through.

That’s something each of designs featured in this showcase of the best photography portfolio sites achieves with flying colors. So how do these top fifteen portfolios make both their images and their personalities stand out? Exploring them, a few trends become evident.

Navigating

Grids: Grids let users explore sets of images intuitively. Responsive, resizing, and irregular, these are much more than a digital photo album.
Mouse: Forget your regular cursor arrow. These sites turn your mouse into styled arrows, pointers, and gesture-capable extensions, letting you swipe, draw, tap, and drag.
Tags: The larger the portfolio, the more you need to be able to sort and curate. Filtering images by project, theme, subject, or even color, makes massive sites navigable and gives them personality.

Interacting

Curation: These lightboxes, albums, and favorites lists let you create your own curated selection of images and store them for later review, letting you add a bit of your own personality to the site.
Social Media Integration: Want to share that image of the ugliest, happiest dog you’ve ever seen? These sites are tied into social media, letting you tweet or post to Facebook with a single click.

See how the best portfolio sites use, tweak, and make these trends their own.

The Top Photography Portfolio Sites

Tony D’Orio

Tony D'Orio

Tony D’Orio’s style is playful, colorful, and visually packed. His portfolio site masterfully brings out this style, using whimsical interaction to bring you in, bright color to draw your eyes, and a full-bleed grid to pack your screen.

Photos in the grid colorize when you hover over them. Select an image and the grid slides to the side in a non-traditional transition that is playful and pleasurable. The navigation makes browsing fun, and the lack of organization (the photos aren’t divided by project or into galleries) mirrors the artist’s own hectic, captivating style.

Each image tells a story, and the profile facilitates those stories by smoothly animating transitions, providing large image detail views, and using nifty cross-outs to check off previously viewed photos.

By Hello Monday

Steve McCurry

Steve McCurry

On his site, Steve McCurry describes his own style as “grounded in people.” He says he tries to “convey what it is like to be that person” through his images. His portfolio communicates this style by conveying McCurry’s own personality.

The site holds over 2,000 images, hundreds more than most portfolios can manage, yet still makes them easily accessible. The 55 galleries can be sorted by place, but also by theme. This gives you a direct look at McCurry’s artistic interests. The color scheme goes beyond the typical safe black and white, yet still expertly compliments the images’ colors.

You can find your way to the popular, well-trafficked blog from anywhere on the site. The entries are selections of McCurry’s photographs, curated by theme and subject, giving you an idea of what makes an image interesting to him. The site also features an in-depth bio that lets you peek into McCurry’s history.

By Bluecadet 

Nick Onken

Nick Onken

Nick Onken’s youthful, carefree images shine in this playful, cheery portfolio. The simple red/white color scheme and font choices are lighthearted, and fit well with the bright, sunny photos. The design underscores the style, all without overpowering the light, airy images.

The bottom thumbnail navigation is a nice visual roadmap, and the grid view for galleries is responsive. The site and images have a blithe “be yourself” and “follow your bliss” tone, and the portfolio practices what it preaches. It features a Lightbox, where you can select your favorite photos to be rendered in an image flow, maybe to share with a happy, laughing friend.

By Knowawall 

Rickard Sund

Rickard Sund

Rickard Sund’s clean, often single-subject photographs are focused on the fashion. They draw your eyes single-mindedly to the models and clothes, with matte, unremarkable backgrounds. His portfolio is focused on the photos, more so than most. It uses the least intrusive of trends in service of his images.

There are no arrows or advance buttons to get in the way of the full-bleed images. Instead, navigate through the photos by gesture of your mouse, drawing lines to transition from left to right.

The interface is present but under the surface, popping up when you need it, and fading away when you don’t. Gallery titles and social media prompts display when you transition to a photo, but all meta data disappears if you linger. The portfolio structure itself fades away and focuses on the full bleed images with the most minimal of distractions.

By Hugo Ahlberg

Josh Cogan

Josh Cogan

Joshua Cogan’s images are almost anthropological. He is an observer of people and their everyday events. The photographs span many areas and subjects, few of which are the same but all of which have overlapping themes and commentary.

The site captures this interconnectivity with an intricate, interactive tagging system that allows you to navigate through main categories and themes, as well as create your own personal filters.

There’s granular social media integration, allowing you to share direct links to images. You can mark your favorite images, which are displayed on an unobtrusive bottom navigation bar and stored, making sharing your favorite images upon return visits simple.

By Bluecadet 

Nicola Walbeck

Nicola Walbeck

Nicola Walbeck’s portfolio feels like it belongs to an architect, and it’s not just because there are so many buildings. The clean lines of the tiling, artfully divided galleries, delicate advance/return arrow boxes, sans serif font choices, and muted, subtle colors all point to an architectural bent. His images themselves reflect this style, with carefully framed angles and a keen sense of place, even in his portraiture.

One of the best things about the portfolio is the rare chance to see the photos in detail. Click in to an image and you get a hi-res, extra-large view that you can explore with the movement of your mouse. Scroll with your wheel or trackpad, and you advance to the next image.

By Hans Schaale and Christian Potthast

More on Page Two

We are not quite finished yet. The bulk of this fine showcase awaits on page two. So be sure that you click over and check out the rest of the design excellence.

Noupe
Cecilia Razak

Photoshop for Photography

Photoshop for Photography


Photoshop for Photography
List Price: 45.0
Price: 45.00

Adobe Photoshop Extended CS5 Student and Teacher Edition
Adobe Photoshop CS5 Extended software is the ultimate solution for advanced digital imaging, featuring breakthrough tools that let…
Adobe Photoshop CS5 for Photographers: A professional image editor’s guide to the creative use of Photoshop for the Macintosh and PC
With the new edition of this proven bestseller, Photoshop users can master the power of Photoshop CS5 with internationally renowne…
Adobe Photoshop Elements and Premiere Elements 10
Bring your photo and video collection to life in vibrant home movies and photo creations you’ll enjoy for years to come. Adobe Pho…

Freelance Photography: Digital vs. Film Case Study

Freelance Photography: Digital vs. Film Case Study


Last week, the British Journal of Photography helped spread the news that Kodak will stop producing digital products as part of their ongoing strategic review? What is Kodak going to do? Refocus on good, old fashioned film.

At first, this sounded like brand suicide to me. But then I read on…

The news comes as Kodak is undergoing a wide-ranging strategic review of its businesses with the “commitment to drive sustainable profitability through its most valuable business lines.” But Kodak is quick to point out that the move won’t mean the end for Kodak-branded digital cameras. Instead, the firm plans to license its brand to third-party manufacturer – a move that mirrors Polaroid’s action in the years leading to and following its own bankruptcy. —bjp-online

Film has a core niche market. There are still photographers out there who use it, and use it religiously. Jonathan Canlas, a popular photographer based in Utah, recently came out with a book titled “Film is Not Dead: A Digital Photographer’s Guide to Shooting Film”. He also leads FIND (Film is Not Dead) workshops across the U.S. (which Kodak helps sponsor). There are about 65 testimonials about the workshop on Canlas’s blog,  from photographers all over the place. Some of them are so jazzed about the workshop they’re writing testimonials before they have even attended!

Canlas shoots ONLY in film, and his business hasn’t suffered from the trend towards digital photography in the least. In fact, I’d argue his business has grown from sticking to his chosen niche.

Stacey Hedman, a New England-based photographer, has been using film again for about a year. She started noticing that the photographers she most admired were using film, and she stared to pull out her family’s old cameras to play around with. In addition of going to film, Hedman and her fellow photographers are using manual light meters and cameras that haven’t been manufactured in over 20 years. “With film I feel more connected to the process—there’s more soul and art behind it,” she says.

Hedman suggests two reasons why photographers may prefer film over digital: the richness and creaminess of the photos themselves and the film’s ability to retain highlights. “What I mean by that is that digital may blow out the white in a wedding gown, to where you don’t see any detail at all,” Hedman explains. “With film, you can go really bright, overexposed even, and in the photo you will still see every piece of lace in the dress. Together these things can create an incredible color palate and tangible softness.”

Digital photography has created photographers who spend a heck of a lot of time using editing software like Adobe Photoshop to edit and correct for exposure or mistakes. “With film, you need to be more thoughtful and truly understand your situation before clicking the shutter,” Hedman says. “When my film comes back, it’s almost completely “done” editing wise, meaning less time in front of the computer editing thousands of images.” When Hedman uses film, she finds herself taking less photos because she’s being more thoughtful and money conscious—it costs her up to $ 30 to develop one roll. But the lack of necessity of retouching before sending them to her clients is worth the time spent behind the camera in the first place.

 

Hedman didn't retouch anything on these film prints.

When photographers send their film to a film lab to be processed, they typically scan your negatives immediately for a digital file. “The fact that I shoot film doesn’t mean that my clients can’t still enjoy an online gallery of their images with the ability to post to Facebook or share them on a DVD,” Hedman says. Some of her favorite photo labs on the west coast include Richard Photo Lab, Pro Photo Irvine, and Indie Film Lab. On the east coast she likes Chelsea Photographic in New York City and Old School Photo Lab in New Hampshire, near where she lives.

I know a slue of photographers who credit digital cameras with the rise in semi-professional photographers flooding the market—especially the wedding photography market. Just because someone has a nice camera, doesn’t mean they really know how to use it. They may have no idea what an aperture or an f-stop is, or bother to use manual settings on any occasion.

“The important thing to remember is that film doesn’t mean digital is bad, and digital doesn’t mean film is bad,” Hedman says. She personally considers her approach to photography to be a hybrid, because she prefers to use digital camera in the evening, or when an editorial client is on deadline. “Each medium truly excels for what it does, and it’s my job to know how and when to use my various tools.”

We’d love to hear from you freelance photographers out there about what you think of this “trend” back to film. Which do you prefer to use and why?

Photo credit: Some rights reserved by xilius.




FreelanceSwitch
FreelanceSwitch.com


The SciTech Award Goes to… ARRI/Zeiss Master Prime Lenses for Motion Picture Photography

The SciTech Award Goes to… ARRI/Zeiss Master Prime Lenses for Motion Picture Photography

At the 84th Annual Academy Awards for Technical Achievements, Dr. Jürgen Noffke and Uwe Weber will be honored with a Scientific and Engineering Award for the ARRI Zeiss Master Prime Lenses.

Creative COW Library

Adult Photo Workshop: DIGITAL PHOTOGRAPHY MADE EASY

Adult Photo Workshop: DIGITAL PHOTOGRAPHY MADE EASY
Event on 2011-10-15 10:00:00
ADULT WORKSHOPS
SMP’s adult workshops are designed for adults of all ages and skill levels. Due to limited space, pre-registration and payment is required at least 24 hours in advance. Call (386) 506-3832 or visit www.smponline.org for more information.

DIGITAL PHOTOGRAPHY MADE EASY (level I)*
Saturday, October 15, 10:00am – 4:00pm (1/2 hour for lunch)
COST: .00
WHAT TO BRING: digital camera, memory cards/card readers, bagged lunch
INSTRUCTOR: Melissa Reamer

Learn how to take better photographs by understanding the main functions and properties of your digital camera and photo editing software. Topics include basic composition and exposure techniques, offloading digital files onto a computer, file management, and an introduction to photo editing using Adobe Photoshop.

http://smponline.org/adult.html

at Southeast Museum of Photography
Daytona State College
Daytona Beach, United States


Digital Photography Backdrop Backgrounds Chroma Key Reviews

Digital Photography Backdrop Backgrounds Chroma Key

  • Over 300 beautifully-crafted, gorgeous digital backgrounds
  • 300 dpi, 3000 x 2400 pixels
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  • holidays and much more!
  • For use with your own digital image editing software (not included).
Over 300 professional-quality, high-resolution digital backgrounds for use with your digital photography and graphic arts projects! Delivered at 300 dpi and 3000 x 2400 pixels, these breathtaking images are perfect for printing up to 8 x 10!

List Price: $ 60.00 Price: $ 14.97

PHOTOSHOP TEMPLATES DIGITAL PHOTO BACKGROUNDS BACKDROPS PSD ACTIONS TUTORIALS +

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US $54.90 (0 Bid)
End Date: Saturday May-19-2012 21:59:37 PDT
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Related Photoshop Background Tutorials Products

Alain and Natalie Briot – Photography Podcast with Alain and Natalie Briot


Alain and Natalie Briot – Photography Podcast with Alain and Natalie Briot

from Photography Podcast with Alain and Natalie Briot

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View Details about Alain and Natalie Briot


Photoshop I | Photography

Photoshop I | Photography
Event on 2011-06-06 17:30:00
In the vast world of photographic images one of today’s most prominent tools is the computer. The majority of photographers today rely on Photoshop for their digital darkroom. In this class students will be introduced to the most powerful and popular image-editing program available. Camera Eye’s Photoshop I will assist students in harnessing the countless tools in the program and streamline a working process for photographers and artists. The course will survey the digital influence on art and photography while training students how to enhance traditional imagery as well as create dynamic new images. This course serves as a fundamental introduction to Photoshop for beginners.

at Camera Eye Photography Workshops
11 Miller Street Studios
Somerville, United States


Digital Photography I

Digital Photography I
Event on 2011-06-05 14:00:00
The elegance and attractiveness of the black and white photograph is perhaps eternal. In this course, we will use modern photographic technologies to create images in the classic black and white style. Students will use their DSLR cameras in conjunction with Photoshop to create artistic images.

Topics to be covered include techniques of proper exposure, principles of composition, and understanding the use of lighting. Because image processing and printing will be done with the use of the computer and printer, students should have a basic understanding of how to use the computer (i.e. how to open up files, create folders, et cetera). Students will walk away from the class with an understanding of the technical and visual aspects related to digital photography and a small portfolio of black and white images.

This class is for beginners who want to learn photography from a digital perspective.

There will be optional museum and gallery visits on some weekends. Although these are not mandatory, students are highly encouraged to attend these short trips.

at Project Basho
1305 Germantown Avenue
Philadelphia, United States